Ed Annunziata played Pink Floyd for his sound team, and for the Sega CD release of the Tides Of Time hired Spencer Nilson to create an even denser new age score. What seemed like a cute kids game about a dolphin quickly turned into a very difficult, very trippy adventure that involves aliens, time travel, and the lost city of Atlantis.
MARBLE MADNESS MUSIC REMIX SERIES
The Ecco: The Dolphin series is probably a lot weirder than you remember. This strange gem was Suzuki’s masterpiece before moving into a directorial role as the head of Treasure’s sound team, heralding even greater things to come. Unfairly maligned, but Soule’s approach to ‘90s RPG music was one of a kind.Įven when Treasure was doing embarrassing shit like this for money in their early days, that didn’t stop the legendary developer from bringing their all. Even some boss battles were simply drum loops and pads. Where the likes of Chrono Trigger and Final Fantasy favoured strong, memorable melodies, Evermore’s OST combines long periods of ambience (track titles include ‘Podunk, 1965’ and ‘Ambience – Jungle 2’) with spindly melodies that often feel like they’re held together by Elastoplast. Nothing like other RPG OSTs of the time, it’s the first video game project of Jeremy Soule, who went on to become a titan of the genre, composing the Elder Scrolls series and more. That’s been denied by Square, but it didn’t save the game from receiving unfair backlash: Evermore is a flawed but good RPG with some genuinely unique elements, one of which is its soundtrack. The only game ever designed by Square in North America, word upon release was that this was a Western spin-off of Secret of Mana (with which it shared many qualities), when Square hadn’t ported the superior Seiken Densetsu 3 ( Secret of Mana’s actual sequel) from Japan. Oh, the curious case of Secret of Evermore. one of the only Playstation stealth soundtracks that doesn’t feel horribly dated (we see you hiding at the back, Syphon Filter), a.k.a. Harry Gregson-Williams and Norihiko HibinoĪ.k.a. When winning means getting the titular 40-year-old virgin laid, classy barely comes into it. Not as classy as Journey-composer Alex Wintory’s orchestral score for the remake, but we’ll stick with the Roland MT-32 original, which perfectly captures the chintzy trashiness of this Las Vegas vacation (sorry, we mean Lost Wages vacation).
Leisure Suit Larry in the Land of the Lounge Lizards Extra points go to Yacht Club for convincing original Megaman composer Manami Matsumae to contribute two tracks to the score.ĩ9. Thankfully videogame music nerd Jake Kaufman – who cut his teeth making music for the Game Boy Color in the early ‘00s – does a bang up job of bringing to mind the golden era of chiptunes. Head here to stream the list as a single YouTube playlist.Įvery good 8-bit game needs a good 8-bit soundtrack, and in putting together their NES-era homage Shovel Knight, developers Yacht Club Games knew they had to make sure there was as much attention paid to the sound as there was the rest of the game’s presentation.
We hope this list brings back some memories for you too. This list brought back a lot of memories, more than your typical retrospective list, and during the very long process of growing it these tunes brought us back to specific times - Christmas mornings, drunk nights as teenagers, half-forgotten Blockbuster rentals and so much more. Gaming is a medium that’s meant to be engaged with, and these reactive, organic scores are no different.
MARBLE MADNESS MUSIC REMIX FULL
But it has to be said, if you really want to get the full experience for these soundtracks give these games a spin. That way we can include even more games that might have gotten snubbed otherwise (there are, obviously, some exceptional cases).įinally, we’ve included a song for each entry and a playlist for them all. For example, some of us really love Megaman 3, but Megaman 2 is here to take the trophy home for the whole NES team. Also, since video games can have a tremendous amount of sequels we have occasionally chosen our favorite from a series that deserves recognition as a whole. This means no Beatles Rock Band, no Tony Hawk, and no Grand Theft Auto (for what it’s worth, Vice City is the best) because to mix those with original soundtracks is simply unfair. Most importantly: licensed soundtracks - an incredible act of curation and an art form in their own right - are out of bounds. Ordering decades’ worth of timeless video game soundtracks into a definitive top 100 requires a few ground rules. But what are the greatest examples of this marriage? From Nintendo 8-bit classics to stirring cinematic scores that have accompanied modern masterpieces like Red Dead Redemption and The Last Of Us, here’s our ultimate guide to the best ever video game OSTs. Video games and music have always gone hand in hand.
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